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Soprano, flute, clarinet, harp, string quartet
Bath Festival with funds provided from the Arts Council of Great Britain.
…it is transformed by the rich, allusive, almost drugged intensity of Matthews’s score – with Brittenesque nocturnal features but entering an atmospheric sound world of its own. A beautifully considered piece. The Sleeping Lord throws down no gauntlet; but it sets a standard for a kind of English Pastoral whose appeal goes beyond nostalgia.