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Terrible Beauty, Op.104
Category | | Vocal |
Composed | | 2006-2007 |
Duration (approx) | | 12 minutes |
Parts | | Medium voice, flute, clarinet, harp, string quartet
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Text Author(s) | | Homer, William Shakespeare | Text Language | | English/Greek | Recording(s) | | Winter Passions | Publisher | | Faber Music | Commission | | Nash Ensemble
| First performance | | 6 March 2007 | Venue | | Wigmore Hall, London | Orchestra / Ensemble | | Nash Ensemble | Conductor | | Lionel Friend | Soloists / Players | | Susan Bickley (mezzo-soprano) | Review | | Hilary Finch, The Times, 8 March 2006 | | | David Matthews’ Terrible Beauty for mezzo-soprano (Susan Bickley), flute, clarinet, harp and string quartet, is both more substantial and more searching. A Nash Ensemble commission with Arts Council funds, it is a beautifully wrought operatic scena. Bickley’s mezzo moved ardently between supple recitative and sensuous arioso as she gave voice to Enobarbus’s great Antony and Cleopatra. The instrumental playing seemed to echo both the light dancing metre of the Greek preface (an extract from Homer’s Iliad), and to re-create the oscillation of water and oar-strokes in a shimmering, harpgilded bacarolle.
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