Recent and Forthcoming Performances
02/10/2019, 7pm -- Aubade
Musica Viva | Conducted by Alexander Walker | Small Hall, Moscow State Conservatory, Bol’shaya Nikitskaya Ulitsa, 13/6, Moscow, Russia
Work details: Aubade, Op.83
06/10/2019, 3pm -- The Art of Love (arr. Matthews)
Counterpoise | Little Missenden Festival | St John the Baptist Church, Little Missenden, Amersham
Work details: The Art of Love
27/10/2019, 3pm -- Piano Trio No.3
Leonore Piano Trio | Fellowship House, 136A Willifield Way, London
Work details: Piano Trio No.3, Op.97
03/11/2019, 3pm -- Tango Flageoletto
The Hackney Proms | Shoreditch Town Hall, 380 Old St, Hackney, London
Work details: Tango Flageoletto
16/11/2019, 7.45pm -- Sinfonia
Farnborough Symphony Orchestra | Conducted by William Carslake | Princes Hall, Aldershot
Work details: Sinfonia, Op.67
17/11/2019, 3pm -- Sonatina for Viola and Piano
Sarah-Jane Bradley, viola | Debbie Shah, piano | Fellowship House, 136A Willifield Way, London
Work details: Sonatina for Viola and Piano, Op.141
07/12/2019, 5.30pm -- Six Songs (Schubert arr. Matthews)
Nash Ensemble | Wigmore Hall, 36 Wigmore St, Marylebone, London
Work details: Six Songs (Schubert arr. Matthews)
08/04/2019 -- News from the mixing desk (updated April 2019)
David’s Thirteenth Quartet was recorded towards the end of 2018 for release on CD this year. In addition to the customary four string players, the work features four singers and was written in memory of a close friend, Peter Sculthorpe. Musical Opinion (Oct-Dec 2018) described its performance in July by the Kreuzer Quartet, alongside singers Rebecca Lea, Jess Dandy, Will Dawes and James Robinson, as 'A moving tribute to a fellow composer and a searching addition to a genre which David Matthews has made his own.' Paul Conway goes on to call the Thirteenth Quartet a 'tightly written piece that covered a vast spectrum of emotion in a short space of time. There was quirkiness and wit as well as noble tranquillity in a persuasive premiere performance of great warmth and humanity.' Hear the Thirteenth Quartet together with David’s Eighth and Fourteenth Quartets on the Kreuzer’s upcoming 2019 disk with Toccata Classics.
03/05/2019 -- CD release: An English Coronation 1902-1953
03/05/2019 -- CD release: Symphony No.9
30/09/2019 -- Reviews of recording of Symphony No.9
See full recording details and listen to a sample.
David's Ninth Symphony has received a series of formidable reviews since its release with Nimbus Alliance in May 2019.
Robert Matthew-Walker for Classical Source describes the symphony as "A serious and compelling work of consistent musical art throughout… Here, in a number of ways, is a genuine symphony for our times." (Sep 2019).
Philip Scott for Limelight Magazine dubs Matthews "a genuine symphonist" whose Ninth "squeezes every drop of developmental interest out of his theme." (Aug 2019).
The disk also contains the Double Concerto and Variations on Bach's Chorale Die Nacht ist Kommen. For Guy Rickards of New Klassik, "A couple of other works on the record confirm Matthews as a champion of England's top league of string orchestra composers, along with Elgar, Vaughan Williams and Tippett." (June 2019).
Of the broader symphonic landscape in contemporary British composition, Robert Matthew-Walker writes, "In its way, Matthews 9 is a masterpiece: in wartime 1943, when Matthews was born, the population of the World was around 2.5-billion. Today, it approaches 8-billion, but whereas in 1943 one could legitimately cite more than twenty greatly significant composers active and producing music that was widely admired and which has stood the test of time, today, there is barely a handful, yet amongst them must be counted David Matthews" (Sep 2019).
22/11/2019 -- CD releases: Beethoven Plus Volume II / Elgar Cello Concerto, Dark Pastoral
As we draw to the close of 2019, two pieces of David’s music which creatively respond to pre-existing works will be released on CDs by Somm Recordings and Columbia respectively. The first, Sonatina, is a companion piece to Beethoven’s last violin sonata, Op.96, drawing upon and compressing snippets of musical source material. David also employs the same tempo markings as Beethoven.
The second recently recorded piece, Dark Pastoral, represents a completion of the slow movement from Vaughan Williams’ unfinished cello concerto, orchestrated and completed by David.